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« Last post by SciNote on Today at 09:15:06 AM »
Glad you're getting the hang of it! And in no way is this a bother to me! I can talk about the PSR-E433 all day long!
Concerning your question about the SONG mode...
This does not have to do with avoiding the auto-accompaniment. It is to keep the style from changing when you go from one registration to another, whether you are using auto-accompaniment or not. Yes, like you said, it allows you to keep the same tempo when going from one registration to another, but not just the tempo -- It keeps the entire style from changing. Without doing this, individual registrations can be saved with their own style settings -- including the style number and the tempo. If that data is stored in a registration, then if you select that registration, whatever style and tempo you had selected and were playing before will immediately change to whatever is stored in that registration. Sometimes, that might be desirable. For example, there could be a song that has style and/or tempo changes in the song -- an example of this is "Saturday in the Park", a 1972 song from the rock group Chicago. Most of the song has a rock 4/4 rhythm, but there is a part in the middle where it goes to a 12/8 style, before going back to 4/4 again. So, you could have a registration set up with a 4/4 style, and another one set up with a 12/8 style, and then you could easily go back and forth between the necessary styles with just the press of a registration button at the appropriate points while playing the song. But of course, with only 32 registrations, it doesn't give you a lot of room to dedicate specific registrations to individual songs. Of course, you could always use a flash drive to use more registrations.
Normally, I do not do this -- I do not store styles in the registrations. I just set up the style and tempo for the song that I want to play, and then just use the registrations for changing the sounds that the keyboard plays (most of the songs I play have pretty basic backgrounds with a consistent tempo throughout the song). So to do this, I have to make sure that no style gets stored in the registration, and that is done by making sure the keyboard is in SONG mode when a registration is saved instead of STYLE mode. And that's why you hit the SONG button when setting up a registration -- if you do not want a style saved with the registration.
You mentioned hitting the SONG button after setting up your main voice parameters. In reality, I don't think you have to -- or would want to -- hit the SONG button after setting up all of the main voice parameters. Remember that when you hit the SONG button, it causes the keyboard to call up certain information about the song it retrieves, and this could change some of the parameters you set for your registration. This is why you want to hit the SONG button as early in the registration set-up process as possible. You would just hit the SONG button right after selecting your main voice -- just the voice number. Then, after selecting the main voice number, you hit the SONG button, and then you set up the rest of your main voice parameters, like volume, octave, pan, and so on. I believe this is how it works -- like I said, I have not done much creation of registrations from scratch recently (except the new 80's synth sound I posted) -- I have been mainly editing existing registrations that I have developed over the years.
By the way, not to make things more confusing, but I believe that instead of a style, you can set up a registration with a DJ pattern, if you want. And I think that if you have a DJ pattern in a registration, but are using a style for the background to play a song, you can still call up that registration without affecting the style. It would only change the background music if you were already playing with a DJ pattern set up and active.
You also asked about the arpeggio function. This is a cool feature, though I have not used it much. I think that if the split voice is off, then the arpeggio function applies to the whole keyboard. But if the split function is on, then the arpeggio function is only active on the left-hand side of the split. However, I do not know how using auto-accompaniment factors in to all of this. I'll have to experiment with it.