Hi Lee ,
I know how you feel as i just made a song and practicing It and if you do not silence some tracks like me, there's a pad that would not stop after switching registrations.
Chug Chug ChugGGGGGGGGG!!
.
We figure it out in the end though after a brainstorm.
For ages i could not fathom out why changing registration glitches kept happening until finding out that if you match the sound levels of a similar style the glitches stay away and all is fine.
There is a few things on the Genos i wished Yamaha sorted out like the not being able to step record with a user style and a lack of voices when trying to make pads.
Padmaker does offer a lot more choices and that is the way to go. Maybe if i try that style unlocker i may get some luck.
We will keep battling on .
After a long time i now have mixed Going Loco as that was a hard learn curve and with Ozone i will try to master only making small moves.
The trouble learning mixing is that i tended to change things a lot and kept going around in circles.
With the Genos you can forget gain staging in Cubase a that can destroy the songs feel after a lot of meddling.
A Genos recording is in the ball park for about 14 to 18 Luf's, so only minor adjustment only have to be made.
I was listening to that Pro mixer Warren Huart and he does not gainstage if he knows the output of his gear. It is only done when people send him music that is over or under cooked.
With Neutron, like Ozone it is quite eay to learn and the Ozone Tonal balance plugin helps you get your song totally balanced through the Low, Mids and highs.
Also finding that the $20 Klanghelm metering is great for putting accross all tracks. It is worth the money and also lets you adjust mids, side.
I'd rather look at a meter than numbers flashing about.
So i am hoping soon to get music done a little quicker when coming out of my shell
All the best
John