Yes That is correct. The keyboard will only bring up your settings when you engage one of the registration buttons the same as all other Tyros keyboards.
Dear Eileen,
thanks for going to the trouble of sending me your bank. Please accept my admiration for your dedication to us lesser musicians. And WHAT A BEAUTIFUL creation that bank is. I never use any effects, but even in that respect the bank was a revelation.
But it was not only beautiful, it helped solve the “Genos -bad-memory-mystery" at least to some degree.
It is the old story about apples pears.
YES your beutifullly built bank that contains only one style with its variations and right hand voices worked perfectly.
I could change the speed, save that as a new reg file, and then call it up again everything OK.
Then I proceeded to do what I always did on my Tyros 5 and what has caused problems with the 2 Genos I have here since weeks.
1
I put a different style under each button - please excuse the unprofessional expression.
2
I make every knob start with the intro of that exchanged style to have an interlude as what I dislike most about today's music is that to me - the fossil - it is too monotonous. (It starts with Genos having a lot of two bar styles. My Lowrey MX 1 had 4 and even 8 bar styles nearly 40 years ago)
3
As you know there are absolutely fantastic intros on the Genos and some are 8 bars long. Some of them have too many instruments, so I go to style creator and silence some voices putting for instance the PANEL sliders to zero and save that "NEW" intro in the style.
4
In case there is a distortion guitar I try to find a less obnoxious voice and exchange that in the intro. Then I save the doctored style by overwriting the old version. I control memorization by going to my style file folder, starting the style by its intro.
5
I like variations in volume both for the style and the melody under many a knob and save that for each knob. In to-days discos they keep the volume constant at 95 dB so again I am doing something Genos was not designed to do.
6
From knob 5 on I usually save the transpose knob one half note higher as I dislike hearing a song in the same pitch for very long. Louis Armstrong contrary to to-day's musicians used to do that very often. But of course heavy metal is a different kind of noise.
g
Then I quite often change the speed, especial the speed under the last knob for the ending to go slow.
I did all this “doctoring” to your bank and played it. Everything was less beautiful - the experiment was not to compete with you -but as intended.
I saved it.
Guess what, already on the first reopening a lot of things were missing and worst of all the careful settings of volume balance between style and right hand was messed up.
Some kind person on this site wrote – I believe I did thank him but cannot find him right now -
he felt I might be “overloading the buttons” Maybe that is the problem, it’s like with my old brain, I can remember simple things but when things get complicated I am in trouble.
Cheers
Kaarlo
