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1
Genos2 / Re: CDG files
« Last post by Stijn on Today at 02:16:32 PM »
Hi Elvis,

I opened the BBBBBBBB.cdg in CDG Editor which resulted in an error; ‘Unexpected end of file’.

I then used ‘Tools / Validate’; it made some repairs, I saved it and now it opens on Genos.
Here’s a link to the modified CDG and the app CDG Editor.

https://www.dropbox.com/scl/fo/lbf23nky55bhctiboy9d5/AC7sX63P6RqUofzGv9Vbui4?rlkey=ljgo66yz5f4ovmte1aphunwyj&st=jm0gktfl&dl=0

Stijn

2
Alois from Germany has some videos on YouTube showing the use of a TC-Helicon device connected to a PSR-S970 and a Genos. He controls the harmonies of the TC-Helicon with a MIDI cable from the keyboard.

The videos are in German, but I think if you switch on the subtitles generated by YouTube, you can follow the content of the videos quite well.

#1: https://www.youtube.com/watch?v=M1PGap6B6vQ
#2: https://www.youtube.com/watch?v=zevgNgC0-4Y
#3: https://www.youtube.com/watch?v=adALPi0YdzI
#4: https://www.youtube.com/watch?v=9E1njTNAXvw

Kurt
3
Genos Styles/OTS/Multi Pads / Re: Tempo On The Fly
« Last post by mikf on Today at 01:17:43 PM »
Adam
If singers can’t stay in time you are in trouble when using a style backing. Take it from me adjusting tempo on the fly to stay in time will never work.
Singers may appear to speed up but the reason is seldom that they are actually singing faster, it’s because they don’t have the confidence or the training to wait on the beat. Especially in small gaps in the song. So they are not  singing faster, they are jumping in ahead of the beat. You can’t fix that by adjusting tempo on the fly, and trying will just make you look like the idiot who is out of time.  The singers need to fix that by learning to sing in time.
 I have accompanied hundreds of not very good singers from my days when I played piano in pubs for sing song nights and know this problem intimately. On the piano, it’s not hard to adjust and make them look good, but on an arranger playing a style ..no chance. In fact at home my dad had a decent voice but just couldn’t sense the beat, that’s why he couldn’t dance either. He always complained that it was my job to follow him and he just couldn’t get it that he was always jumping ahead of the beat. It’s why karaoke tapes show the words at just the right time, but even then many just won’t wait. As an accompanist it’s a pleasure when the singer has great natural timing.
Frankly, my experience has been that if people don’t have that  natural sense of timing it’s hard to teach them in a short time. And good luck with trying that because even if you do seem to get them to wait in practice, I can say with certainty that when the pressure comes on in public performance anxiety will cause them to start jumping in again.
If you can’t teach them to stay on the beat, I would abandon using a style and accompany them more in free time playing. Maybe just two handed piano, if that is within your capability. Then you can adjust and stay with them fairly easily.
Mike
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PSR-E Series / Re: Expectation of the PSR-E483
« Last post by SciNote on Today at 01:15:29 PM »
The things I listed are quite basic and should be easily doable at the price point, given today's technology, and the end result would still be far enough away from the SX600, in terms of features and technology, that it shouldn't encroach on sales of the SX600.

40 registrations instead of 32?  How much memory is that?  A couple kilobytes, in an era where gigabyte sized flash drives are only a few dollars?  Sustaining the left side of the split keyboard?  That's just programming.  Adding a dedicated fill button for the styles, and basic editing for the sequencer (which Yamaha did on similar keyboards decades ago) also would not compete with the more advanced specifications of the SX keyboards.  And the current EW-425, essentially the 76-key version of the E473 with a few more features, already has dedicated line-outs.
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"break state" is just the term that I use -sorry for confusion.

What I was saying above is, that this problem only happens if SYNC STOP button is used (is turned on). Do you need this feature when you play the style? If not, then just turn SYNC STOP to off and everything will be fine -style will stop after ENDING.
Everything also works fine if you need SYNC STOP feature while you play your style -but only if you don't break the variation before you switch to ENDING.

If you don't understand what I mean by "break state", then watch my video again and you'll see how SYNC STOP works: I'm breaking (temporary pausing) the style with my left hand by quickly hitting the chord notes -that sets the variation in "break state". Pay attention at the end of the video, before I push ENDING button.

Bogdan
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Genos2 / Re: CDG files
« Last post by elvisjfigredo on Today at 12:53:02 PM »
Thank you Eileen. I am trying to make my own backing tracks with lyrics and it's just not happening.
I will keep trying different CDG making software :).
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For the Vocal Harmony to work it's thing you have to be playing the keyboard. The VH2 works off of the chord you are playing in order to harmonize with your voice. You can use it without playing the keyboard but I can't tell how well it works that way for sure. But I does cool sounding harmonies by following the chords.

From watching Youtube videos, I think the TC Helicon sounds clearer than the VH2. But it might be because they are using an expensive mic (mine cost $80). I think the TC Helicon works by you telling it what key you are singing in. For performing live with the keyboard, it is limited to the number of presets that it can hold at one time. Setting up the harmonies isn't something you can do on the fly while you are performing from the videos. I use over 30+ different vocal presets. 

Since you are not going to be using it live, I'd go with the TC Helicon. I wish Yamaha would use it in their keyboards but it would have to hold a lot more presets.

I have over 200+ videos on Youtube using the VH2 live for plenty of examples of what it sounds like.

Drake



8
Does it seem the vocal harmony in SX900 is most suitable for live singing rather than for the recording purpose?

Yes I think so. But I have to say that I am a "full theorist" in this area, i.e. I don't sing myself. But you should keep in mind that the SX900's vocal harmony is controlled by the chords you play or by a MIDI file.

Kurt
9
Thank you so much for your prompt reply. Does it seem the vocal harmony in SX900 is most suitable for live singing rather than for the recording purpose?
10
Hi guys!!! I thank everyone as always you are very kind. Ok I got it. Again thank you all. You guys are wonderful.
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